I was born in 1976 and outside of “Blaxploitation” movies, there were no African American action or science fiction stars. My favorite movies included “Tron,” “Superman,” “The Last Star Fighter,” and “Dune.” The heroes in those movies had super powers, super intelligence, and had to dig deep to overcome extra-ordinarily difficult situations, often at great personal cost. It is worth noting here that the stars of these movies were all Caucasian males, and none of them looked like me. Hell, in most of the movies with a futuristic theme there was not even a Black person cast as an extra! As if, as Richard Pryor so eloquently put it, white people were not expecting us to be in the future.
It is no secret that many action, fantasy and science fiction movies contain ancient magical and mythological elements incorporated into the fabric of their stories; to see titans, gods, goddesses and fairies as characters in modern day cinema is a fairly commonplace occurrence – with one caveat, these characters almost never appear in movies written or directed by Blacks, or with an all Black cast.
When it comes to Black cinema we have few choices for our movie going pleasure. We have comedies, action comedies, the all important “Jesus Will Fix It” film and “Hot Ghetto Mess Drama,” (usually not the good kind), and last but not least is the “Catharsis Drama” – movies about profound suffering and abuse and how the characters where able to somehow carry on after being both victimized and traumatized. Few Black writers explore the realm of science fiction, fantasy, or create movies with a magical or mythological theme.
To add levels of depth and subtle complexity to their stories, adept writers and directors are able to use the archetypical and symbolic elements of the heroes and heroines of ancient mythological stories and folk and fairy tales. Many times these elements are used so skillfully as to be hardly recognized by the majority of the หนัง going public, but to the trained eye, these elements are obvious.
It takes study of classical literature, world mythology and symbology in order to use the above mentioned story elements with any level of effectiveness. Study that many burgeoning African American film makers seem all too willing to ignore in their movie making process, as these elements are often sorely lacking in the plots and storylines of the majority of Black cinema.
The “After Earth” screenplay was written by Gary Whitta and M. Night Shyamalan, with the story by Will Smith, tells the type of story that Black entertainment hasn’t seen the likes of in a very, very long time.
Some critics dislike this movie because they know what Mr. Smith is trying to accomplish with this type of movie, and they don’t like it. While Smith’s traditional audience may be slow to co-sign this movie for two reasons, one is they are not used to seeing African Americans play these types of roles, (although they will pay top dollar to watch Tom Cruise, Brad Pitt and Keanu Reaves play these roles over and over again,) and two, they don’t really understand the themes portrayed in this movie due to the fact that as a culture, we were stripped of our initiatory practices and our stories, and as a result we are used to seeing these types of roles played by White or Asian actors and actresses.
By and large, the legends, folklore and traditions of Africans and other indigenous cultures, have been demonized through religion and western culture, and so it seems we shun the magical and fantastical images of ourselves as sorcerers, demigods and heroes.
Why “After Earth” is Worth Watching
Below I will outline various elements of the movie “After Earth” that make this movie worth seeing over and over again. Fathers, if you have been looking for a movie to take your sons to that will help you to begin a profound conversation about rites of passage and growing into a man, you’ll want to check this out.
!!!SPOILER ALERT!!! – We are going to be discussing the story and plotline from this movie and by doing so parts of the actual story are going to be revealed. If you don’t want to spoil the movie before you’ve seen it, STOP NOW, and then come back after you’ve seen it to participate in this analysis.
Let’s begin by taking a look at the theme of initiation that runs throughout “After Earth”.
Initiation was important in indigenous tribes because it was a system by which the young boys and girls of a given culture or tribe were guided through in order to educate, prepare and move them through the phase of childhood into adulthood and all the attendant rites and responsibilities which adulthood entailed.
Initiation always begins with education and training, and in the movie we begin with the main character training with his military academy class. Readers will take note that cadets in the military go through a process of initiation designed to strip them of their life as a civilian to remold them as a soldier, and make no mistake, this system of initiation was taken from the ancient indigenous cultures of Africa and passed down through other cultures and societies throughout the world.
Training involves physical and mental exercise and tests designed to give initiates/cadets control over their bodies, their emotions and their minds.
It is at this point in the movie that we find that young Kitai, while exhibiting impressive physical abilities is lacking in emotional and mental control, issues which he will be forced to deal with later on in the movie.
Below is an outline of initiatory steps as experienced by the ancients and portrayed in “After Earth”
Trek Through Nature in Solitude With a Mission to Complete
Initiate Versus Nature, Beasts, and Self (FEAR)
Initiate must face and overcome several trials in order to reach their goal (manhood)
Endurance (Breathing linked to inhalers)
Initiate must protect and ration limited amount of supplies, ie; food, water, medical
Handling confrontation with potential danger.